The History of AUC Press - Audio Documentary

Final project promo - The History of the AUC Press

Create your own video slideshow at animoto.com.

SCRIPT:

Music fade-in: “Rudolf Firkušný - Schubert - Klavierstücke D.946 n°2 (1989).”

ANNC: The AUC Press annually publishes academic texts and general interest books on ancient and modern Egypt and the Middle East, as well as Arabic literature in translation.

Mark Linz – Director of the AUC press: “what we have preached before, and in to professionalize the press and move it to twenty books a year, we said we were gonna double this.” (00:00:06 seconds).

Music fade-out: “Rudolf Firkušný - Schubert - Klavierstücke D.946 n°2 (1989).”

The History of AUC Press - Final Project Promo

Music fade-in: “Rudolf Firkušný

- Schubert - Klavierstücke D.946 n°2 (1989).”

ANNC: The AUC Press is a leading English publisher in the Middle East and the United States.

Mark Linz – Director of the AUC press: “In the American list of the 120 publishers we are now in kind of a middle position, so we are now a significant publisher in what we publish every year and how we do it.” (00:00:11 seconds).

ANNC: Attend the listening sessions at AUC’s New Cairo campus on Sunday May 16 and Wednesday May 19 at 10 a.m. each day in the BEC building, room 1061.

AUC's Palestinian Club Commemorates Land Day

Palestinian Student, Yacoub Al-Atrash, playing on the oud.

Students presenting an olive tree to the university.

Students performing dabke.

Saeb Erekat delivers his speech at AUC.

Photos courtesy of Eric McCune

The Palestinian club at the American University in Cairo, Al-Quds Club, organized an event in memory of those who fell on Land Day. The event featured some key-note speakers such as Saeb Erekat, one of the PLO's chief negotiators, and the Palestinian Ambassador in Egypt, Barakat Al-Farra.

Erekat went into a long speech addressing the Oslo accords, his rejection of the two-state solution, and the return of all the land within the pre-1967 Palestinian borders, including east Jerusalem, to Palestinians. In addition, Erekat reiterated his rejection of the two-state solution. The issues raised in his speech are not news to those who are following the top headlines these days, the Israeli government is not being so discreet about building Jewish settlement in east Jerusalem, which is a kind of a de facto annexation.

The Land Day event was not all politics but also celebrated Palestinian culture. Musical performances, and students performing the Palestinian traditional dance, dabke, were the highlights of the event. The event was followed by a reception, where Middle Eastern/Palestinian food was served.

The members of Al-Quds Club presented an olive tree to the university. Olive trees are a symbol of the Palestinian resistance and culture that is still alive amid all of the occupation, violence and destruction.

Charles De Gaulle House in Beirut

This is snapshot I took in Beirut this March. This is the place where Charles De Gaulle, the founder of the French fifth republic and it's first president from 1959-1969, resided when he was in Lebanon.

De Gaulle was in Lebanon during the Mandate period, the 1920's, when he was a high ranking officer in the French army. Those were the days when there was a quasi-Syrian independence movement, and he was there to keep order and control of the French Mandate of Lebanon and Syria.

Listening Journal - BBC's "Muslims Fighting for Israel"

IDF SOLDIERS Posted By: Thomas E. Ricks

ricks.foreignpolicy.com

This audio documentary, titled Muslims Fighting for Israel discusses Muslims who do army service in Israel and according to the IDF hundreds of Muslims sign up every year.
Rachid Sekkai from the BBC's Arabic Service talks to Muslims currently serving in the IDF and also to former soldiers and hears about the conflicts they face at home and on duty, and the pride that military service sometimes brings them.

Muslims Fighting for Israel, is produced by the BBC and runs for 23 minutes. It is part of the World Stories series. These are five individual documentaries made by BBC language service producers about the region they come from.

Nat sound has been used in the beginning of this audio documentary, you could hear the sound of gun shots, which underlines the topic of this documentary. I liked the use of music effects, as a very melancholy song for the dead was used in the introduction and this also contributes to the whole atmosphere. I didn’t like the voice of the narrator, as it is very monotonous and flat. When he first started talking, the sound quality was very bad, it was a bit fuzzy as if the microphone was moving or there was the interference of wind. In addition, I felt that his narration was clashing with the sound bite of the imam, which was taken from a religious ceremony. In this instant, it was very hard to concentrate and listen to what the reporter was saying.

He used phrases like “here we have been asked to stand up,” and “this memorial site was set up in 1999 by a Bedouin Muslim and a Jew,” which I feel like is language for TV, not radio, as we can’t really see the location and hence them standing up or the memorial site. Some accompanying pictures would have complimented the documentary and kept the listener interested.

He had a lot of sound bites, but at the same time, many of the sound bites were not necessary, especially those that were of people speaking in Hebrew or Arabic, languages that the general listener doesn’t really speak or understand.

I feel like that this documentary has had very minimal editing, for example, the reporter includes sound bites of him getting out of the car and meeting the interviewee, saying hi to her. I felt like this was very unprofessional, as listener I really don’t have to listen to all these extra sounds, I just want to listen to stuff that will add to my knowledge. In addition, there is a lot of background noise, which really deterred my attention.

The use of middle-eastern music in the middle of the documentary is not suitable for such a topic of military, war and the role Muslims play in the military of a Jewish state.

Interview with History Professor Sherene Seikaly

Transcript of the interview:

Sherene Seikaly is an Assistant Professor of History and Middle East Studies at the American University in Cairo. She earned a PhD in the departments of History and Middle Eastern and Islamic Studies at New York University in 2007, an MA at Georgetown University’s Center for Contemporary Arab Studies, and a B.A. at the University of California, San Diego. Before joining AUC, Professor Seikaly was the Qatar Postdoctoral Fellow at Georgetown University (2007-2008) and Postdoctoral Fellow at the Middle East in Europe Program at the Wissenschaftskolleg zu Berlin (2008-2009).

Tell us about yourself, how did you decide to become a historian?

I’ll tell u a little bit about my self. I was born in Beirut, Lebanon during the civil war to Palestinian parents who were expelled as children from Palestine in 1948 and I grew up in the states. My first memories were really ones of civil war in Lebanon. And after I did undergraduate studies at UC San Diego I went back to Lebanon and I did work in the Palestinian refugee camps and non-profit work for about four years in Lebanon and I think after that when I went back to do graduate work and I decided that the on-profit world wasn’t really helping me to do new things, there was like a ceiling for me in that field. I moved towards graduate work and academic work and then my journey towards history was kind of accidental in many ways but then as I got more familiar with what I could do as a historian especially as a historian of Palestine I became very committed and convinced of it.

And that brings us to our next questions, how has the fact that you are of Palestinian descent affect the way you viewed things and your approach to work?

I think that from the very beginning very sort of because my family, in part because of the civil war but also in part because of how my family experienced being Palestinian in Lebanon, even though we had citizenship, because the Palestinian Christians got citizenship in Lebanon. My family sort of raised me from the very beginning with the kind of political background and being unable to go to Palestine and be in Palestine and be in one place with the rest of the family, so that was sort of one of the first things that formed me as a person, my very first memories are of that. And then what I think happened when I went to the states was because I understood that the way that the Palestinian story being told in the media wasn’t accurate, and so I began questioning the way politics were represented more broadly. So it helped make connections with sort of the plight of the Native Americans in the United States and African Americans and I began making connections sort of from an early age. Today I think the approach is one of commitment to justice and I like to think that’s not just about Palestine but more general, but it is definitely informed by that commitment to justice in Palestine.

Did you ever face difficulties in your field or while you were studying just because of whom you are?

No not while I was studying, while I was studying I had a very supportive group of advisors and folks around me that were supporting me and helping me, but when I started sort of the job application process, because I had been doing political work for about ten years, I mean even longer, especially my time in New York began with a kind of, the second intifada, and that was the time of real political activism, and I think when started going out onto the job market, the combination of having done political work and doing something on Palestine and being Palestinian, was a challenge definitely, I think people were afraid of the possible controversies that having me on-campus would inspire.

I heard that you are working on a manuscript, its a work in progress, so can you tell us a little bit about this.

Sure, it’s called Meatless Days: Consumption and Capitalism in Palestine, its based on the dissertation, which tries to look at basically the ideas that the way we’ve looked at history, Palestinian history, before 1948 has simplified the social history of that period. So people have looked at that history as one of either there are these kind of decadent notable elites or honourable and ignorant peasants, and one of the things that my work tries to do is say that there was something else going on in the middle, that there was a middle class, that they had ideas about capitalism, that they had ideas about what it meant to have a healthy body and economy and a nation. And one of the reason I think it’s important, is because it allows us to look at liberalism and capitalism critically as a historical phenomenon.

It's not sensationalism!

When a story titled "Students report worker masturbating in library" was published on the front page of the student produced newspaper at The American University in Cairo on February 21, 2010, many people were not pleased. The Caravan was criticized for publishing this story as many thought that the language used was offensive. The reporter who wrote this story and the editor-in-chied share their views about why they published this story and why they felt it is important.

International students at AUC talk about their experiences

Three students, an American, a Jordanian and a Norwegian talk about their experiences of living in Cairo, Egypt and studying at The American University in Cairo. Here they share with us the good, the bad and the ugly about Cairo.

Listening Journal - Long Form Audio Documentary

'The Girl at the Window'

This audio documentary is produced by Radio Netherlands (RN). It is produced and presented by Anna Yeadell and it runs for 00:29:30 minutes. This documentary is a producer’s quest for the artist who painted a picture left to her by her grandmother. Yeadell talks about how she discovered the 90 year old artist still painting with an incredible story to tell about how she survived the Second World War, her husband’s death and pursuing her dream.

I found this documentary to be very interesting because I got to listen to the artist talk about her life and her art, which I didn’t expect since she is very old. The documentary was very simple and only included interviews with a few people which make it very personal. But nevertheless, listening to this old lady telling her story, which is filled with lessons about life, was very insightful and touching. Her words were of wisdom, and I felt like the whole point behind this documentary is not the painting itself but the message behind it.

The sound quality was very good, all the voices were clear, except that I heard a shuffling sound when Ursula was talking, and towards the end of the documentary, in one of Ursula’s sound bites, I heard the sound of an airplane in the background. This shows that not much effort was put into the editing process. Natural sound was not used at all, except for some piano music which played in the background at the start of the documentary and ran for almost 3:20 minutes. It started playing again when Ursula brought up the subject of her husband’s death and the war and this set up a tragic atmosphere.

The narrator’s voice was really clear and was suitable for transition from one topic to another because it was youthful and clear, which is contrary to the interviewee’s voice, I felt like she was putting a lot of effort to talk. But, Ursula’s voice is so expressive and underlines this whole nostalgic mood.

I felt like the documentary was too long for such a topic, especially that only two people were interviewed. It included a lot of sound bites of Ursula, which is understandable since the documentary is about her, but they could have been shorter. Towards the end, it was hard to concentrate on what she was saying because she was struggling to pronounce her words.

The documentary begins strongly, they start with a sound bite of Ursula, which compelled me to keep listening because her voice is expressive and has this very sad and frustrated but asserting and determined feel to it. Although this documentary features a 90 year old woman who’s life is close to an end, the ending of the documentary leaves the listener full of hope and provides the listener with some very compelling words of advice: “you must not stand still because that means going back, you must always go forward, and that’s what I try to do,” said Ursula.

http://www.prx.org/pieces/1626-rn-documentary-the-girl-at-the-window

PSA - Al Quds Club Awareness Campaign

Local Officer: Zeina Bisharat, 0166036645 zee_727@hotmail.com, Head of Public Relations
Organization: Al Quds Club at the American University in Cairo
Contact Info: alquds.auc@gmail.com
Heading: Al Quds Club Campaign to Promote Awareness
Airdate: March 10, 2010 – May 12, 2010

30 seconds

MUSIC: MA BAIN HAIFA W JENIN: 2 SECOND

MUSIC CONTINUES TO PLAY IN BACKGROUND, BUT FADED

ANNC1: Al-Quds club, the Palestinian club at AUC, would like to open the door of opportunity to those who are interested in learning more about Palestine’s culture, tradition and history.

ANNC2: you can increase your awareness and engage yourself in weekly debates, documentary screenings and first-hand stories from the many Palestinians at AUC.

ANNC1: Al-Quds Club also offers weekly dance practices to those who want to learn the traditional Palestinian dance.

ANNC2: for more info. visit our booth or join our facebook group.

AMPLIFY MUSIC

END.

http://www.facebook.com/group.php?gid=24201360431&ref=ts

Listening Journal

BBC Hourly Newscast
The newscast runs up to 5:00, which was a good length.
The newscast covered a variety of international news such as the recently uncovered evidence that millions of dollars donated to the relief effort for the Ethiopian famine in the mid 1980’s went to buy weapons; the earthquake in Chile and how aid how damaged infrastructure hampers the relief efforts; and nuclear waste in Australia and where to put it, local aborigines worry about health implications.
Natural sound was not included in this newscast and only one or two sound bites were used. But it was easy for me to keep listening in because the newscast covered a variety of topics. In addition the voice of the newscaster was very engaging and conversational. It was not monotonous but rather varied, he changed his pace at different intervals.

Listening Journal - NPR Hourly News Summary

The NPR Hourly News Summary of 3 March, 2010 runs up to 4:46 minutes. The producers were not enlisted, and the newscast was aired from Washington.
The sound quality of this newscast is excellent; the newscaster has a very clear and warm voice. The newscaster and the reporters featuring in this newscast are all articulate and speak clearly, and also take their time in narrating. They are kind of slow, which I found is not something newscasters give attention to due to the time constraints. This is why I felt this newscast is too long, it might because the newscaster/reporters were taking their time in narrating their stories.
Only sound bites were used in the first report and no natural sound was used at all. In the second and third reports, the journalist didn’t use any nat. sound or sound bites.
The newscast discussed bills that add to the U.S. deficit such as the senate bill extending unemployment benefits and highway funding. In addition, the newscast discussed a lot of U.S. politics, such as layoffs in the education industry, and used a lot of financial terms.

Queen Rania speaks at AUC

Queen Rania Al Abdullah of Jordan spoke at The American University in Cairo on Sunday, about the role of civic engagement in the Arab world and the role it plays in the betterment of the our societies.
She spoke for 15 minutes and then entertained four questions that were asked by the President of AUC's Student Union. The questions were disclosed to her majesty in advance and were selectively chosen out of a pool of questions that were sent out by the AUC community. To be honest, I really expected more out of this short speech especially coming from a Queen. Being a responsible citizen and engaging in the society we live in isn't something that I didn't know and the least that could've been done when addressing such a topic is to articulate it in an interesting and genuine manner, which I felt, was not the case.
There is something that the Queen said about aid to developing countries like ours that struck me as funny. The Queen said something along the lines that she doesn't believe in aid and that aid is not necessarily something to be encouraged as it creates dependency, and that she rather believes in development and empowering people. What's so ironic about that is that Jordan is one the largest recipients of U.S. aid in the region!

Listening Journal - www.worldvisionreport.org

World Vision Report – “Love Shack”
www.worldvisionreport.org

http://www.worldvisionreport.org/Stories/Week-of-February-13-2010/Love-Shack

From Dakar, Senegal, Will Everett describes a visit to the "love shack". Usually traditional medicine uses plants and oils to aid in a range of illnesses and afflictions, but what’s interesting about this feature is that it talks about a natural remedy for lovesickness. Everett visits one local man called Muhammad who says he's found an herbal solution for one of humanity's most enduring ailments: unrequited love. This feature is part of the Reporters Notebook category on the World Vision Report website.
The reporter is narrating, and he only has some snippets of the interviewee’s voice complimenting what he is saying. For natural sound, a lot of background noise was used along with the voice of the two interviewees. It was ok in the beginning, since it captured the whole atmosphere of this ‘love shack’, but then I felt it became somewhat of a distraction. The quality of the sound was really good, but as I have mentioned before, the background noise was just too much and really annoying to be hearing every time the interviewee speaks.
The announcer’s voice was clear and not too dramatic, which is good. For this topic, I felt that the 3:30 minutes is too much time for the feature. I felt like most of the time the reporter was being redundant and the topic really didn’t grab my attention and was really disinteresting. He used a sound bite of a friend who knows this apothecary (or so to say), and what she was saying was really irrelevant and lame. I didn’t feel like I have learned anything new or interesting by listening to this feature, as most of the time I felt like the reporter was just using some extra sound bites and natural sound to make this audio piece longer.

Listening Journal - www.npr.org

Story Corps – “Witnessing the End of a Family Tradition”



“Witnessing the End of a Family Tradition” is a narration by a man called Nicholas Petron. This audio piece is produced for Morning Edition by Vanara Taing. The senior producer for StoryCorps is Michael Garofalo. The whole piece, including the introduction is 3:49 minutes.
In this short audio production, Petron talks about his grandfather who came to the United States from Italy as a young man, to try to make it in New York City. He built a family, and a tradition of Sunday meals, around the apartment building he worked in. Then everything changed as they had to move out of the building, because the city condemned the buildings in the area they lived in order to build some new apartments, through his small simple story, Petron underlines the destruction of a family along with the destruction of this building.
I found this feature to be really gripping, since the narrator is a very good story teller with a very expressive voice. He has a very warm and husky voice, which makes you imagine a friendly and bubbly person, and this compelled me to keep listening out with my undivided attention. Petron changes the tone of his voice when he’s trying to impersonate his grandfather as he tries to imitate the way he talks. By using this Italian accent that his grandfather used to talk in, it becomes easier for the listener to become immersed in the story and really pictures the whole scenario. In addition, Petron changes the tone and pitch of his voice whenever he reaches a climax point in his story, and this really captured the whole mood of this past experience and conveyed it to the listener.

Some guitar music was used in the introduction, and the announcer voice was very clear and real, as if it is sincere, and this really captures the essence of this show which is about personal stories and experiences. So, anything dramatic in the introduction would have been really unsuitable for the whole mood of the show.
This is a great feature, the narrator talked in a very natural and laidback way as he paused and breathed at his ease. All of these factors made me imagine that this man is sitting in front of me and talking personally to me. Natural sound was not used at all, but this is comprehendible since this is a very personal audio piece, so any distraction would have really distracted the listener and interrupted this whole nostalgic mood.

I Believe in Honesty

I’ve always believed in honesty, even as a kid. When I’ve done something wrong as a kid I would stay up all night in my bed feeling uncomfortable like there’s a heavy weight over my chest. I would only feel contented with myself once I’ve told my mom what I’ve been hiding from her no matter how trivial it was. Honesty is seldom found in a person, that’s why I really appreciate honest people who are always clear and straightforward, and thus trust can be established without any complications. This is also one of the reasons why I don’t trust people easily, and I really believe that if everyone was honest, the world would be a better place.

That is why I chose to be a journalist, I want to be able to stand up for the truth one day and be honest to the world. They say that to be objective as a journalist is a utopian dream and something that is very hard to attain, but I believe that this is something that all journalists should strive for. I want to grow up to work for a media institution that is independent, transparent, fair in its reporting, and not to mention, honest in what it delivers to the masses. Yes, sometimes honesty hurts, but eventually it will teach people how to do things right and be held accountable for what they do. I really believe that honesty is more important than any other moral value or belief because I believe that anyone who is profoundly dishonest is not capable of advancing the cause of social justice or any other humanitarian cause let alone issues that are present on a one on one, personal level.

What’s as important as being honest with the world is being honest with oneself. I found that whenever I lied to myself to stay protected from the reality around me I fell into a cycle of self-denial and indifference. Confronting the truth is always a challenge but it has helped me understand many things about myself and the world around me, even though it might not make me a happier person. It proved to me that it can make a stronger person standing on a solid ground and at peace with myself and my life. Nothing is perfect, but through honesty and truthfulness I learned that I can always confront and deal with my imperfections and faults, striving to improve things to the better.

I hope that I’ll be able to prove that the truth is pure and simple.